Tuesday, November 22, 2011
I Love BRIGHAM CITY, UTAH City Limit Sign - 4 x 18 inches
- Aluminum Brand New Sign
- 4 x 18 inches
- Rounded Corners
- Predrillied for Hanging
- Great Gift Idea
Editor's Note: The text has been painstakingly reproduced from a facsimile of the original document. Blatant typographical errors have been corrected but quaint spellings of the era have been preserved.
If you enjoy these first-hand accounts of the western expansion in the United States you may also be interested in the following titles:
A Trip to the Black Hills and Deadwood, 1876, by L! eander Pease Richardson
A Trip to the Verdigris and Caney Rivers in Kansas, 1869, by W.W. Jones
The Buffalo Range by Theodore R. Davis
The Life and Trial of Frank James by Frank Tousey
Please copy and paste these titles into the search engine to locate.
Search for Professor Hex Books for more interesting titles on multiple topics.
This 2000 word monograph, originally published in the Girard Weekly Press (Girard, Kansas) in 1870, offers a unique glimpse of Salt Lake City and the Mormon settlers after the arrival of the First Transcontinental Railroad. While not sympathetic to the Mormon cause, the author paints a lively picture of Brigham Young's settlement and the details of a new and growing community. Very interesting reading if you are planning a trip to the modern city of Salt Lake.
Editor's Note: The text has been painstakingly reproduced from a facsimile of the original document. Blatant typographical errors have been! corrected but quaint spellings of the era have been preserved! .
If you enjoy these first-hand accounts of the western expansion in the United States you may also be interested in the following titles:
A Trip to the Black Hills and Deadwood, 1876, by Leander Pease Richardson
A Trip to the Verdigris and Caney Rivers in Kansas, 1869, by W.W. Jones
The Buffalo Range by Theodore R. Davis
The Life and Trial of Frank James by Frank Tousey
Please copy and paste these titles into the search engine to locate.
Search for Professor Hex Books for more interesting titles on multiple topics.
I Love BRIGHAM CITY, UTAH City Limit Sign. Made of Aluminum and High Quality Vinyl Letters and Graphics. This sign is 4 x 18 inches. Made to last for years outdoors, the sign is nice enough to display indoors too, comes with two holes pre-punched for easy installation and the corners are rounded. The item shipped will be exactly as shown in the picture (Unless you notify us otherwise i.e. a custom made order)
Air Force One
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In ! Fast, Ch eap & Out of Control, documentarian Errol Morris proves that the weird and obscure are just as interesting as the rich and famous. Morris tries to add depth to his subjects with his out-of-control editing technique, which after a while becomes an annoying distraction; these guys are fascinating enough all by themselves. The blare of the background music is also a bit much. Despite these shortcomings, though, if you like taking a voyeuristic peek into other people's lives, Fast, Cheap & Out of Control gives you plenty to look at. --Luanne BrownGeorge, Dave, Ray, and Rodney. Not a singing group, but four real-life individuals dedicated to controlling the entities that don't take kindly to their efforts. George Mendonca is a topiary gardener who spends his time taming tendrils of plant life into animal shapes. Why? Because he can, and apparently it's no easy job. One slip of the clipper and a green and leafy body part can go bye-bye for years. Dave Hoover tak! es on big cats under the big top. An admirer of the famous lion tamer, Clyde Beatty, Dave comes out of the lion ring covered with sweat. Not from working hard, but from hand-trembling fear. Ray Mendez, a mole-rat expert, waxes eloquently about the social structure of these sightless, hairless natural wonders who wear their teeth on the outside of their lips. But if you want to see a real wacko at work, watch Rodney Brooks, a robotics expert who is convinced our extinction will be the first step in a takeover of tin men.
In Fast, Cheap & Out of Control, documentarian Errol Morris proves that the weird and obscure are just as interesting as the rich and famous. Morris tries to add depth to his subjects with his out-of-control editing technique, which after a while becomes an annoying distraction; these guys are fascinating enough all by themselves. The blare of the background music is also a bit much. Despite these shortcomings, though, if you like taking a voyeur! istic peek into other people's lives, Fast, Cheap & Out of ! Control< /I> gives you plenty to look at. --Luanne BrownAdobe Photoshop Lightroom v.3.0 65064073 Graphic Design SoftwareAdobe Photoshop Lightroom 3 software helps you bring out the best in your photography, whether you're perfecting one image, searching for ten, processing hundreds, or organizing thousands. Create incredible images that move your audience. Experiment fearlessly with state-of-the-art nondestructive editing tools, including world-class noise reduction. Easily manage all your images. And showcase your work in elegant print layouts, slide show videos with music, and on popular photo-sharing sites. All from within one fast, intuitive application.
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The Unknown Civil War Series: Gettysburg
- GETTYSBURG (DVD MOVIE)
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDThree days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour depiction of the bloody Civil War battle was shot as a made-for-television film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of li! fe, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a powerhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonKey battles of America's Civil War thunder across the screen in two richly scaled, rigorously authentic, powerfully compelling ep! ics based on acclaimed historical novels by Michael Shaara. Th! e tide o f the war changes during three fierce days of combat at Gettysburg [Disc 1], the gripping saga of the tactics, command errors and sacrifices behind the bloodiest battle ever fought on U.S. soil. Gods and Generals [Disc 2] reveals the spirited allegiances and fierce combat of earlier Civil War struggles, framing its tale with the fateful clashes at Bull Run, Fredericksburg and Chancellorsville. These sprawling films remind us of the people, passions and heroism that fanned the flames of a country at war with itself.
A masterful, single-volume history of the Civil War's greatest campaign.
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Drawing on original source material, from soldiers' letters to official military records of the war, Stephen W. Sears's Gettysburg is a remarkable and dramatic account of the legendary campaign. He takes particular care in his study of the battle's leaders and offers detailed analyses of their strategies and tactics, depicting both General Meade's heroic perf! ormance in his first week of army command and General Lee's role in the agonizing failure of the Confederate army. With characteristic style and insight, Sears brings the epic tale of the battle in Pennsylvania vividly to life.Marking the 150th-anniversary commemoration of the Civil War, Ronald F. Maxwellâs acclaimed film now arrives in a Directorâs Cut featuring 17 minutes of compelling additional footage. Filmed at actual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.Three days in the summer of 1863, at a place called Gettysburg. Although it received a theatrical release, this four-hour! depiction of the bloody Civil War battle was shot as a made-f! or-telev ision film. But no taint of cheapness or shortcuts should stick to this magnificent picture (well, except maybe for those phony-looking mustaches). Based on Michael Shaara's book The Killer Angels, this film takes a refreshingly slow, thorough approach to the intricacies of battle. In ordinary circumstances, those intricacies might seem of importance only to fans of military strategy or Civil War enthusiasts, yet in Gettysburg they come across as the very stuff of life, death, and unexpected heroism. If the film has a problem, it's that it climaxes too early: the first long segment, detailing the struggle of a "civilian soldier," Union Colonel Joshua Lawrence Chamberlain (Jeff Daniels), to hold his ground against long odds, is an enthralling piece of moviemaking. Daniels, in a heartbreaking performance, does his best film work. Other cast members include Tom Berenger, Sam Elliott, and Martin Sheen as Robert E. Lee. Richard Jordan, in his final role, gives a pow! erhouse performance as Confederate general Lewis A. Armistead. Oh, and you can also try to spot Ted Turner, whose company produced the film, as a Confederate soldier. Writer-director Ronald F. Maxwell seems inspired by the gravity of the battle; long as it is, every moment of Gettysburg is informed by a nobility of purpose. --Robert HortonStudio: A&e Home Video Release Date: 09/20/2011 Run time: 94 minutesThe epic battle of Gettysburg, fought over a three-day period at the beginning of July 1863, was bloody, brutal, and bitter--making it ideally suited to the History Channel's testosterone-fueled documentary approach. Viewers familiar with offerings like Battles B.C., Patton 360, and multiple others will recognize this style: loud and kinetic, flashy and unsubtle, Gettysburg blends reenactments, photos, CGI (used to depict and dissect the weaponry that made the Civil War's body count so high in general, with some 50,000 casualties at Get! tysburg alone), Sam Rockwell's macho voice-over narration, act! ors read ing the reminiscences of the participants, and a variety of expert talking heads holding forth. For the most part, it works; historians and Civil War buffs have already noted some of the factual errors, important omissions, and other problems with the material, but those less versed in the details will come away from this 94-minute program (which was executive produced by noted directors Tony and Ridley Scott) with a good deal of information about the confrontation that inspired President Abraham Lincoln's immortal address, referenced near the end of the documentary. Typical of the History Channel, some of this information is delivered in hyperbolic, melodramatic fashion. Gettysburg was "the largest battle ever fought in the Western Hemisphere," while the cannons that blasted away at Gen. Robert E. Lee's men during the fateful attack known as Pickett's Charge was "the largest artillery barrage ever" in that same sphere; numerous other events are the biggest, the most iconic,! the most important, and so on. The overheated writing does Gettysburg no favors, but director Adrian Moat and the other filmmakers' decision to focus on a variety of individuals on both sides was a wise one. Thus we learn about characters like Maj. Gen. Dan Sickles of the North, who had killed his wife's lover before the war and successfully used "the first plea of temporary insanity in U.S. history" to win acquittal; Pvt. Amos Humiston, another Yank, who died on the streets of the Pennsylvania town with nothing to identify him except a photo of his three sons; Confederate Lt. Gen. Dick Ewell, who had vowed revenge after losing a leg earlier in the war; Col. James Wallace, a Marylander who was both a Union officer and slave owner; and numerous others. In the end, it's these portraits that help distinguish the program from the many, many others of its ilk. --Sam Grahamâ[I]n a larger sense, we can not dedicateâ"we can not consecrateâ"we can not hallowâ"thi! s ground. The brave men, living and dead, who struggled here, ! have con secrated it, far above our power to add or detract.â
â"President Abraham Lincoln
James M. McPherson, the Pulitzer Prizeâ"winning author of Battle Cry of Freedom, and arguably the finest Civil War historian in the world, walks us through the site of the bloodiest and perhaps most consequential battle ever fought by Americans.
The events that occurred at Gettysburg are etched into our collective memory, as they served to change the course of the Civil War and with it the course of history. More than any other place in the United States, Gettysburg is indeed hallowed ground. Itâs no surprise that it is one of the nationâs most visited sites (nearly two million annual visitors), attracting tourists, military buffs, and students of American history.
McPherson, who has led countless tours of Gettysburg over the years, makes stops at Seminary Ridge, the Peach Orchard, Cemetery Hill, and Little Round Top, among other key locations. He reflect! s on the meaning of the battle, describes the events of those terrible three days in July 1863, and places the struggle in the greater context of American and world history. Along the way, he intersperses stories of his own encounters with the place over several decades, as well as debunking several popular myths about the battle itself.
What brought those 165,000 soldiersâ"75,000 Confederate, 90,000 Unionâ"to Gettysburg? Why did they lock themselves in such a death grip across these once bucolic fields until 11,000 of them were killed or mortally wounded, another 29,000 were wounded and survived, and about 10,000 were âmissingââ"mostly captured? What was accomplished by all of this carnage? Join James M. McPherson on a walk across this hallowed ground as he be encompasses the depth of meaning and historical impact of a place that helped define the nationâs character.Gettysburg â" Directorâs Cut
Marking the 150th-anniversary commemoration of ! the Civil War, Ronald F. Maxwellâs acclaimed film now arrive! s in a D irectorâs Cut featuring 17 minutes of compelling additional footage. Filmed at actual battle locations and full of authentic details, this rousing and soulful movie plunges you into the heat of the bloodiest battle fought on American soil. History comes alive with intense and spirited battles as well as the dilemmas, motivations and fears of the leaders. Tom Berenger, Jeff Daniels, Martin Sheen and Stephen Lang star in this magnificent epic based on Michael Shaara's Pulitzer Prize-winning The Killer Angels.
Gods & Generals â" Extended Directorâs Cut Reedited from beginning to end with amplified scenes and an added subplot, this all-new Extended Directorâs Cut of Ronald F. Maxwellâs Gettysburg prequel restores his original vision of the fierce allegiances and combat of the early American Civil War. From Jeffrey M. Shaaraâs bestseller, this commemorative release coinciding with the 150th anniversary of the North/South conflict incorporates an hour of f! ootage never seen before. The story of actor and future Presidential assassin John Wilkes Booth (Chris Conner) is newly integrated throughout the narrative alongside the legendary heroism of Joshua Chamberlain (Jeff Daniels), âStonewallâ Jackson (Stephen Lang) and Robert E. Lee (Robert Duvall). And the battle of Antietam is now included along with the fateful clashes at Manassas, Fredericksburg and Chancellorsville.GETTYSBURG - DVD Movie
It's A Guy Thing : An Owner's Manual for Women
- ISBN13: 9781558744646
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Based on questions from women who have attended author David Deida's highly acclaimed relationships seminars, this must-have book puts male behavior under the microscope. Included are chapters on sex, work, relationships and communication. Interspersed throughout are sidebars that shed light on the many faces of men and help women grasp what makes them act the way they do.
Monday, November 21, 2011
Falcon Down
Beautiful Creatures (Beautiful Creatures, Book 1)
- ISBN13: 9780316077033
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When
In a town with no surprises, one secret could change everything.Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham
Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>
Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.
Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."
Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.
Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.
Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typingâ¦okay, that one is understandable, given the page count for "Beautiful Creatures."
Kami: What can I say? I was saving the other seven fingers for the sequel.
What kinds of books do you like to read?Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.
Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.
! Wha t books/authors have inspired you?Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.
Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.
Did you set out to write fiction for young adults? Why?Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.
Margie: Not so much readers as bosses.
Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.
Margi! e: And by week she means day.
Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.
Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.
A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"
Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.
Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to themâ¦
Did you always plan to start the book with Ethan's story? Why?Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ"-six, between us-â"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.
Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.
Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.
What is on your nightstand now?Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.
Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!
What is your idea of comfort reading?Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.
Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.
Have you written the next book already? What's next for Lena and Ethan?Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.
Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.
Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casserolesâ¦
Kami: Gatlin at it's finest!

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