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- It has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantalizing scandal of the novel but, stripped of its sentimentality, we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young
Meanwhile, each of their lives is profoundly affected by the reappearance of O, an enigmatic figure from the past. Good Joe clearly dislikes O, hating all that he represents, and resents the growing closeness of Donal and O-a friendship that worries Kate. When Good Joe reacts to the growing relationship between O and Donal by reneging on his deal, Donal is forced to learn some harsh lessons about life.
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It has always been recognized as one of Charles Dickens's literary masterworks, but this Bleak House is now fast moving, daring, gripping television. Here is the murder mystery, the love story, the comic genius and the tantalizing scandal of the novel but, stripped of its sentimentality, we find ourselves swept along by a pulsating and edgy drama. Out of an interminable court case spin three young people, each seaching for their place in the world. The story moves fast - swirling through a incredible array of characters from passionate young lovers, from an ice-cold aristocratic beauty to a shrewd, relentless detective - until the final thrilling climax. With a screenplay by Andrew Davies (Pride and Prejudice), Bleak House features a galaxy of major stars from feature film, television and comedy.Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice ! (the beloved Colin Firth version) and many, many more are peer! less exa mples of classic novels done right--cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic ho! rror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character--from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)--is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package. --Bret Fetzer
