Don't Look Back

• DON'T LOOK BACK (DVD MOVIE)

IRREVERSIBLE - DVD MovieIrreversible begins with the closing credits running backwards before the film begins (or ends) with Marcus (Vincent Cassell) and Pierre (Albert Dupontel) being escorted out of a gay S&M club by the cops, Marcus with his arm broken and Pierre in handcuffs. The "story" proceeds to unwind in a series of single-take scenes that unfold Memento-style, with each scene giving more context to what we have seen previously. Each scenario depicts actions, dialogue, incident, behavior, and circumstances that the lead characters might have wished didn't happen, ranging from extreme violence through awkward social situations to mild embarrassment. The central character (and possible dreamer of this whole what-if story) emerges as Alex (Monica Bellucci), who suffers the worst in a very hard-to-watch rape sequence in an underpass. Semi-improv! ised, the scenes all have attack and power as themes, with later/earlier conversational sequences that suggest life isn't all sexual assaults in the dark, showing equal cinematic imagination with the horrors. Arguably, this is not a film most would subject themselves to twice, but it is something that stays in the mind for days after viewing, sparking far more ideas and emotions than most wallow-in-nastiness pictures. --Kim NewmanAn exquisite tribute to Italy’s most important contemporary model and actress. As a model, Monica Bellucci graced the covers of magazines such as Elle and Esquire before achieving success as an actress whose notable appearances include roles in Bram Stoker’s Dracula, The Matrix Reloaded, The Passion of the Christ, and The Matrix Revolutions. This glamorous volume features 150 of the most exquisite, sensual photographs of Bellucci throughout her twenty-year career taken by the world’s most important ph! otographers, including Peter Lindbergh, Helmut Newton, Fabrizi! o Ferri, Richard Avedon, and Ellen von Unwerth. Monica Bellucci will appear in the 2010 Disney film The Sorcerer’s Apprentice with Nicolas Cage.The latest triumph from Giuseppe Tornatore, the writer and director of the Academy Award(R)-winning CINEMA PARADISO, MALENA is an utterly unforgettable story of a boy's journey into manhood amid the chaos and intolerance of World War II. In a sleepy Italian village, the most beautiful woman in town, Malena (Monica Bellucci), becomes the subject of increasingly malicious gossip among the lustful townsmen and their jealous wives. But only her most ardent admirer, young Renato Amoroso (Giuseppe Sulfaro), will learn the untold true story of the mysterious and elusive Malena! In a captivating motion picture nominated for two Academy Awards, the eventual struggles and hardships that Malena must bravely endure serve to inspire Renato to new heights of compassion, courage, and independence!When 12-year-old Renato, riding through his small I! talian town on his new bicycle, sees the voluptuous Malèna, little does he know he's launching on an infatuation that will carry him through the tumultuous days of World War II. Malèna begins as an enraptured depiction of Renato's adolescent mind--the way he stares, hypnotized, at Malèna's garters pressing through the material of her tight skirt, or his frustrated rebellion against the indignity of wearing short pants--but soon transforms into a portrait of small-town prejudice. Malèna's looks spark lust and envy in the townspeople; when her husband dies in combat, the gossip only intensifies, to the point that Malèna is dragged into court to defend herself against accusations of adultery. When the women of the town refuse to sell her edible food at the market, Malèna has little choice but to become what she's been unjustly accused of being. At the end, a twist of fate turns this tale of longing and jealousy into a heartbreaking love story. Monica Bellucci exud! es the can't-help-it eroticism that makes Malèna such a light! ning rod for everyone's desires; she's like a more zaftig Isabelle Adjani. The movie seems to wander at times, but the ending has a powerful emotional impact. From the director of Cinema Paradiso. --Bret FetzerFrench director Marina de Van follows her boldly audacious debut In My Skin with the thriller DON'T LOOK BACK, another brave, disturbing plunge into darkness that plays with identity and body doubles a la David Lynch s Mulholland Drive and David Cronenberg s Dead Ringers. Author Jeanne (Sophie Marceau of The World Is Not Enough and Braveheart) has her new novel turned down and then begins to question everything. Was that table really located in that corner? Is this my husband? Is that my child? In a daringly cinematic moment that employs state of the art special effects, the character morphs into an entirely different actress (the luscious Monica Bellucci of The Matrix Reloaded, The Sorcerer s Apprentice, and The Passion Of The Christ,) and embarks on a determine! d quest to uncover the secret hidden in her past that has undermined her world. DON'T LOOK BACK marks the next stage of a truly unconventional talent.

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